Discrete Summation Formula (DSF)¶
- Author or source: Stylson, Smith and others… (Alexander Kritov)
- Created: 2002-02-10 12:43:30
Buzz uses this type of synth.
For cool sounds try to use variable,
for example a=exp(-x/12000)*0.8 // x- num.samples
1 2 3 4 5 6 7 8 9 10 11 12 13 14 | double DSF (double x, // input
double a, // a<1.0
double N, // N<SmplFQ/2,
double fi) // phase
{
double s1 = pow(a,N-1.0)*sin((N-1.0)*x+fi);
double s2 = pow(a,N)*sin(N*x+fi);
double s3 = a*sin(x+fi);
double s4 =1.0 - (2*a*cos(x)) +(a*a);
if (s4==0)
return 0;
else
return (sin(fi) - s3 - s2 +s1)/s4;
}
|
Comments¶
- Date: 2002-11-08 11:21:19
- By: dfl[AT]ccrma.stanford.edu
According to Stilson + Smith, this should be
double s1 = pow(a,N+1.0)*sin((N-1.0)*x+fi);
^
!
Could be a typo though?
- Date: 2003-03-14 17:01:46
- By: Alex
yepp..
- Date: 2003-03-20 04:20:51
- By: TT
So what is wrong about "double" up there?
For DSF, do we have to update the phase (fi input) at every sample?
Another question is what's the input x supposed to represent? Thanks!
- Date: 2003-04-01 01:45:47
- By: David Lowenfels
input x should be the phase, and fi is the initial phase I guess? Seems redundant to me.
There is nothing wrong with the double, there is a sign typo in the original posting.
- Date: 2007-02-14 18:04:44
- By: moc.erehwon@ydobon
I'm not so sure that there is a sign typo. (I know--I'm five years late to this party.)
The author of this code just seems to have an off-by-one definition of N. If you expand it all out, it looks like Stilson & Smith's paper, except you have N here where S&S had N+1, and you have N-1 where S&S had N.
I think the code is equivalent. You just have to understand how to choose N to avoid aliasing.
I don't have it working yet, but that's how it looks to me as I prepare a DSF oscillator. More later.
- Date: 2008-11-02 11:47:07
- By: mysterious T
Got it working nicely, but it took a few minutes to pluck it apart. Had to correct it for my pitch scheme, too. But it's quite amazing! Funny concept, though, it's like a generator with a built in filter. It holds up into very high pitches, too, in terms of aliasing, as far as I can tell... ehm...and without any further oversampling (so far).
Really, really nice! I was looking for a way to give my sinus an edge! ;)